8.5 × 10 inches, 112 pages, hardcover
ISBN 978-1-941753-82-8

Design by IN-FO.CO

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Shipping February 2026

In this monograph of recent Roger White paintings the artist returns to California for his subject matter.

"I grew up in Salinas and learned to paint by doing landscapes en plein air, so the body of work feels like an ambivalent return. Affection, distance, nostalgia, concern. Some of the scenes are personal: there’s my father, a family gathering, and friends in an apartment. Others, less so: a crowd at the beach, a scale model of a Spanish Mission, and the beaching of a whale. The backyard of the house seen from above, the one with the blue car, was my neighbors'. I took pictures when they were moving out. Dry grass, real estate, recycling bins, Honda Civic.”
–Roger White

Accompanying the images are two splendid essays by Helen Molesworth and Ross Simonini that illuminate connections and correlations that lay just beneath the surface of White’s deceptively straightforward canvases.

8.75 × 11.75 inches, 152 pages, hardcover
ISBN 978-1-941753-94-1

Design by Valentijn Goethals
Published by Inventory Press, Kunsthal Gent, and Roma Publications

Available for Pre-order
Shipping March 2026

In 2023, American artist Ben Thorp Brown opened Cura’s Garden, a long-term, immersive exhibition set in the medieval garden of Kunsthal Gent, a former Carmelite monastery. Expanding on the Roman myth of Cura, the project brings together a theatrical assortment of trees and other flora, fog, sculpture, and sound—elements that cohere into a dense, indeterminate sensorial experience. This richly illustrated volume, organized around the seasons, features vivid documentation across two years of the garden’s young life alongside linocut botanical prints by the artist’s mother, Cary Thorp Brown.

New essays by Laura McLean-Ferris, Laurie Cluitmans, Robert Wiesenberger explore the conceptual, formal, art historical, and affective valences of Cura’s Garden, and a roundtable conversation between Brown and Laura Herman, Jan Minne, and Valentijn Goethals considers the history and development of the project, from the artist’s 2019 film Cura, a precursor to the garden, through present concerns around the maintenance and unfolding nature of this site-specific work.

9.25 × 12.8 inches, 96 pages, hardcover
ISBN 978-1-941753-84-2

Design by Info and Updates
Published by Inventory Press, Speed Art Museum, Santa Barbara Museum of Art, & Asia Society Texas

Available for Pre-order
Shipping March 2026

Outerworlds is the first monograph to trace the life and career of Iraq-born, Kentucky-based artist Vian Sora. Merging global art traditions, her paintings engage themes of war, exile, survival, and renewal through richly textured, emotionally charged compositions. Surveying a decade of artistic production, this volume follows Sora’s path from Baghdad to the American South, illuminating a practice shaped by both personal and geopolitical upheaval. Moving seamlessly between abstraction and figuration, her paintings draw on ancient iconography and lived experience to explore the layered complexities of identity. Sora’s work is at once intimate and political—a testament to transformation and resilience.

9 × 9 inches, 144 pages, hardcover
ISBN 978-1-941753-93-4

Design by Ben Denzer

Available for Pre-order
Shipping March 2026

In the early 1990s, when personal computing was young and artificial intelligence was not yet in the popular imagination, artist Janet Zweig created something extraordinary and prescient: sculptures that married early computers, simple algorithms, and dot-matrix printers with mechanical parts to auto-generate streams of poetic text that moved objects.

Essays by Thyrza Nichols Goodeve, Jena Osman, and Johanna Drucker reveal how Zweig's witty contraptions were an early premonition of our current technological reality: an atmosphere of disinformation, fake news, and digital hallucinations. As Osman writes: “AI robs us of our imaginative faculty. Zweig’s sculptures, by contrast, gave us what we still very much need: opportunities for explorative play, the recognition of our own thought processes…and the potential to see the world as a site for creative collaboration.”

Richly illustrated, Recursive Apologies: Janet Zweig’s Text Generating Sculpture presents these works alongside the sources that inspired them. With a recursive design by Ben Denzer that mirrors the very concepts it explores, the book offers both a visual archive and a reflection on our ongoing relationship with thinking machines.

7.5 × 10 inches, 304 pages, softcover
ISBN 978-1-941753-88-0

Design by IN-FO.CO
Published by Inventory Press

Available for Pre-order
Shipping April 2026

"Rafael Lozano-Hemmer expands the very notion of what public art is and can be. His works are an invitation to consider how art can rewire our shared spaces and, ultimately, our shared future."
—Hans Ulrich Obrist, Curator

"Rafael Lozano-Hemmer is not just an artist. He is a visionary who combines heritage and technology. The final result is a profound message about our humanity."
—Marina Abramović, Artist


Border Tuner | Sintonizador Fronterizo documents Rafael Lozano-Hemmer’s participatory art installation composed of powerful search-lights forming bridges of light that opened live channels for direct communication across the U.S.-Mexico border. At a time of intense anti-immigrant rhetoric, militarized surveillance, and nationalist violence, the artwork connected the sister cities of El Paso, Texas, and Ciudad Juárez, Chihuahua, creating a platform for people to converge along the border to speak to one another and listen across the divide.

This volume features extensive documentation of the artwork and its activation by tens of thousands of people who gathered to honor the interdependence of life in the borderlands. The book’s ten essays, presented in both English and Spanish, critically examine the legacy of Lozano-Hemmer’s project within the wider frame of artistic production along the U.S.-Mexico border.

Edited by Michael Nardone and Edgar Picazo Merino, with contributions by Kerry Doyle, Tatiana Flores, Juan Luis Longoria Granados, Robin Greeley, Andrea Blancas Beltrán and Léon de la Rosa Carillo, Sergio Raúl Arroyo, Willivaldo Delgadillo, Lucía Sanromán, and Cuauhtémoc Medina. 

5.25 × 8 inches, 320 pages, softcover
ISBN 978-1-941753-87-3

Design by Scott Vander Zee

Available for Pre-order
Shipping May 2026

"Jan Tumlir’s The Endless Line uncovers the concept, language, and theory of gesture in painting as it transitions through time—within and beyond the medium—evolving from the very site where such ruminations and pictorial experimentations begin: the classroom. I found this book to be an excellent resource and recommend it to painters at every stage of their development, from those just beginning to those with long-established practices."
—Laura Owens

"This is an extraordinarily rich and ambitious book, wide-ranging yet thoughtfully constructed and in control of its arguments. Tumlir is a lucid and engaging writer and the text, while admirably erudite, is never stodgy or drily academic. The result is a major contribution to the philosophy and theory of art, art criticism, and the historiography of art—to say nothing of its implications for media studies, film studies, and a broad array of further disciplines."
—Molly Warnock

Jan Tumlir’s The Endless Line furnishes us with a general theory of gesture alongside a complementary, and slightly more nuanced, theory of aesthetics. The collateral theories look both backwards and forwards, reconciling the thoughts of such figures as Immanuel Kant and Clement Greenberg, on one end, with those of André Leroi-Gourhan and Gilbert Simondon, on the other. Along the way, philosophical musings on the nature and purpose of art are correlated with the realities of our contemporary technocratic condition. A crucial insight of this book is that gestures bridge the gap between the human and nonhuman spheres.

The conventional progression of figuration is insistently problematized, as Tumlir demonstrates that gestures do not have clean edges and cannot be reduced to purely subjective constructs. These are forms of expression that emerge from individual interiors only to receive the imprint of their worldly surroundings. From this perspective, the gestures that take shape within painting cannot be confined to the medium; they travel between a wide range of media; and Tumlir maps aesthetic philosophy unto the social sciences covering linguistics, information theory, media studies, and cybernetics. Tumlir’s ambitious book tracks forward and backward through time as the ultimate gesture, is that of searching. 

8.5 × 10 inches, 112 pages, softcover

ISBN 978-1-941753-96-5

Design by IN-FO.CO
Co-published by Inventory Press & Mississippi Museum of Art

Available for Pre-order
Shipping March 2026

5.5 × 9.5 inches, 392 pages, softcover
ISBN 978-1-941753-99-6

Design by Ninotchka Regets
Published by Inventory Press

Available for Pre-order
Shipping June 2026

In this comprehensive survey of his writing to date, Joe Day examines the intersections of architecture, contemporary art and urbanism as interdependent visual and spatial disciplines. Including pieces for both academic and general readership, letters, reviews, public addresses and responses, Essays offers a full account of Day’s thirty-year critical development, and a revealing look at L.A.’s built environment and intellectual climate at the turn of the millennium. Organized in three chronological sequences—“Transgressions,” “Situations” and “Reactions”—this collection begins with nominalist observations on art and architecture, turns then to writing on cities, and concludes with responses to major works and figures including Frank Gehry, Peter Eisenman, Mike Davis and Rosalind Kraus, as well as many more recent protagonists.

Essays joins Day’s previous monographs, Arrays (SCI-Arc, 2016) and Forays (ORO, 2021), which gather his prolific diagraming and design work, respectively. His earlier book, Corrections & Collections: Architectures for Art and Crime (Routledge, 2013), explores the evolving polarities in contemporary exhibition and incarceration.

6.5 × 9.5 inches, 210 pages, softcover
ISBN 978-1-941753-74-3

Design by IN-FO.CO
Published by Inventory Press & Press Enter

Available for Pre-order
Shipping March 2026

Part-reader, part-monograph, part-visual essay, She Moves Me: Performance, Moving Image, and Lynne Marsh’s Lens enacts a curatorial logic: focusing on movement and experience, it enlists the book as site/context to present exciting juxtapositions of works and ideas inspired by the practice of Los Angeles-based Canadian artist Lynne Marsh. The publication draws the shifting, elusive contours of installation, moving-image, and performance productions in recent art by sequencing textual and visual interventions that circle around, run through, and expand the conceptual, historical, and material concerns that course through Marsh’s work.

Edited by Sylvie Fortin, the book is as speculative as it is lucidly of the present. Fully aware of the complex histories we share and the crossroad we sense, it nevertheless dares to open itself to a future fully unknown. In the process, it reconsiders Marsh’s committed practice—25 years of ambitious projects—in the present. She Moves Me: Performance, Moving Image, and Lynne Marsh’s Lens constellates probing texts by Sabeth Buchmann, Nora N. Khan, Gean Moreno and Stephanie Wakefield, Rachael Rakes, and Marina Vishmith to articulate connections between artistic debt, the residual potential of gesture, rehearsal as artistic and social experiment, the criticality of infrastructure and infrastructural critique, collective labor and spatial expansion, the technological image, surveillance, and capitalist extraction, and much more.

6.5 × 9.5 inches, 272 pages, softcover
ISBN 978-1-941753-76-7

Design by IN-FO.CO
Co-published by Inventory Press & The Brick

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Shipping August 2026

Inspired by four decades of ecofeminist thought and action in art, Life on Earth: Art & Ecofeminism presents first-hand accounts and critical assessments of the life and work of artists associated with the movement and methodology. Through its survey approach, Life on Earth addresses an impressive breadth of ecofeminism’s concerns, including social ecologies, the commons, indigenous cosmologies, queer kinship, witchcraft, hydrofeminism, plant knowledge, science fiction and speculative futures, among others.

Edited by Catherine Taft and Jane McFadden, the book contains essays, poems, artwork, and archival material from Myriam Bahaffou, Heather Davis, Silvia Federici, Amy Gerstler, Audre Lorde, Anna Lowenhaupt Tsing, Lola Olufemi, Yasmine Ostendorf-Rodriguez, Himali Singh Soin, Anne Waldman, and others. Artists include Alliance of the Southern Triangle (A.S.T.), Alicia Barney Caldas, Meech Boakye, Beverly Buchanan, Carolina Caycedo, Judy Chicago, Agnes Denes, Francesca Gabbiani, Helen and Newton Harrison, Masumi Hayashi, Institute of Queer Ecology, Kite, Leslie Labowitz Starus, Ana Mendieta, Otobong Nkanga, Alicia Piller, Jaune Quick To See SmtihJaune Quick-to-See Smith, Aviva Rahmani, Tabita Rezaire, Yo-E Ryou, Emilija Škarnulytė, A.L. Steiner, Diana Thater, and Cecilia Vicuña.